Friday, 26 November 2010
Felt tips on polystyrene
Practice using Acrylic paints on polystyrene
Change of Plan.
Tuesday, 23 November 2010
Sour - New Horizons
Cheryl Cole - Highways Across Continents
Monday, 22 November 2010
Wednesday, 17 November 2010
Monday, 15 November 2010
Jessica Harrison
ZEVS
In 2002 he cut out a model of a gigantic Lavazza-poster at Alexanderplatz in Berlin. Above the hole in the poster he wrote: "VISUAL KIDNAPPING - PAY NOW!" This intervention not only struck a chord with art lovers and people in Berlin. It has also inspired political activists. Stealing an image from a poster in Germany is now spoken of in the media as a visual kidnapping.
"Visual kidnapping is like entering an interactive game: If the brand on the billboard kidnaps the attention of the public with the purpose of consumer demand, I reverse the situation and I kidnap the model on the poster and I demand a ransom of 500,000€ from the brand. This sum represents the symbolic price of an advertising campaign for the brand." Interview with PingMag, 11 August 2008
Zevs has been doing what he calls 'proper graffiti' since the beginning of the 00s, where he writes on dirty walls with a high pressure jet.
"In the logic of walls made dirty by graffiti, Zevs, the graffiti writer end author of painted shadows has executed proper graffiti. It is about graffiti painted by use of a high pressure jet on walls." Alain Milon in Prétentaine, 16/17, Winter 2003-04
Tuesday, 9 November 2010
Boycotts
A number of companies were on the list because of a boycott call from BUAV (British Union for the Abolition of Vivisection) over animal testing. BUAV no longer call for the boycotting of specific companies, but instead encourage people to buy from those companies that are accredited as 'cruelty-free' under the Humane Cosmetics Standard. None of the following companies, which we have formally removed from the list, have signed up to the standard: Colgate Palmolive; Procter and Gamble; Reckitt Benckiser; SC Johnson; and Unilever.
Adidas for using kangaroo skin to make some types of football boots.
In June 2008 Burma Campaign UK updated its 'dirty list' of companies that are directly or indirectly helping to finance Burma’s brutal military dictatorship. BBC Worldwide, the commericial arm of the BBC, was added due to its 75% stake in Lonely Planet travel guides. Lonely Planet vigorously defends its publication of a guide to Burma, despite Aung San Suu Kyi and the Burmese democracy movement's call for tourists to stay away. Tourism is a vital source of income to the military junta. According to Burma Campaign UK, BBC Worldwide maintains that Lonely Planet will continue to publish its Burma guidebook.
Global Fashion Local Tradition: On the Globalisation of Fashion
The topics vary dramatically spanning everything from the global proliferation of the "Fashion Week" concept to exposes on - and catwalk images of - designs by some of the most acclaimed contemporary international designers.
However, throughout this visually and intellectually stimulating volume runs the theme of the interconnectedness of it all, and it offers suggestions as to where this may be leading us.
Sometimes, the combination of cultures and influence is plain to see, such as in the images of John Galliano's extremely colorful and grandiose designs.
His fantastically eclectic runway creations combine everything from Arabic textiles to Russian folk art.
The models fill the foregrounds of the photographs with skirts so complexly layered they could only be supported by the most rigid under-wiring.
The multitude of hues in their clothes and accessories are amplified by the bright and colorful runway lights in the background.
Globalisation and the media
Media is also connected to industry ie through ownership, so media can be used to promote or give a biased view in the favour of industry. (One example: NIKE:selling the concept of health and fitness, while workers are under paid and exploited.)
Disney and all other commercial media, take events, stories and topical news, change them to fit their criteria and sell them back to us, the public. Children raised on this media without the skills of hindsight and questioning will take the concepts portrayed as being true and this changes expectations ad interpretation of culture.